劇団解体社は「セリーヌの世紀」連作を通して、20世紀の贖罪山羊(スケープゴート)たるルイ=フェルディナン・セリーヌの文体／身体／音楽／神経／人体を賭け金に、来るべき「証言の演劇」に取り組んできました。今作ではセリーヌの錯乱的反ユダヤ主義パンフレ『虐殺のためのバガテル』を起点としつつ、さまざまな証言の身体が残した、耳障りなる証言群の行き交う劇空間を構築します。言語から放擲された人体と、その場所に命じられてある肯(ウイ)の証言。「セリーヌの世紀」の否認が進行する現在に響き渡る、虐殺の哄笑。塹壕のなかで大笑いする人体言語へ、ご来場お待ちしております。

Through the series of 'The Century of Céline', Gekidan Kaitaisha has worked on 'the theatre of testimony', focusing on the style /body /music /nerve /live-human(jin-tai) which belongs to the scapegoat of 20th century itself, Louis-Ferdinand Céline. In this work, starting from "Bagatelle pour un Massacre", which is Celine's deranging anti-semitism pamphlet, we will construct the piece in which the other various abominable testimonies go thorough.　The live-human which the language rejects and where the affirmative testimonies are absolutely inevitable.　Now the denial of "the Century of Celine" going on, the loud laughter of massacre is echoing here. We are waiting for your visit toward these live-human-language, which is brutally laughing at the center of 21th century's trench.